else but the SL phenomenon, and often

[muniyaakter]

The magazine is regularly registered as a newspaper at the Court of Naples and has received the ISSN code. Registration and distribution are completely free. The newspaper is the source of various news aggregators, portals and blogs. The Global Association for Marketing at-Retail POPAI (Point Of Purchase Advertising International) is an international non-profit association whose mission is to promote the culture of the point of sale in its entirety, spreading awareness among operators of the strategic value of Retail activities within the marketing mix. Developing ideas and projects, promoting debate and the exchange of knowledge, creating information campaigns, presiding over national and international events in the sector, monitoring innovation and changes: this is what POPAI aims to do.

It is present in 18 countries with more than 1700 members germany telegram data worldwide. In Italy it has over 100 members among the most prestigious companies in our market. Nowadays, we talk about nothing with tones that are not critical enough. Yet I would expect something more from university researchers... anyway, I am publishing this short article by Fabio La Rocca precisely because it contains some interesting ideas to reflect on. Second Life: Sociality in a Hyperreal World. In everyday life, the impact of technologies as a form of “new sociality” has an increasingly crucial importance.



An intense performance without too many filters, the one held on Saturday 1 December at the Auditorium in Rome, Petrassi room, which saw Amira Hass, correspondent for Ha'aretz, the only Israeli journalist living in the West Bank, Moni Ovadia, a voice that has always been involved in the conflict between Palestine and the State of Israel, Mohammad Bakri, the most popular and beloved Palestinian actor, alternate on stage. On stage, two musical groups took turns representing the different souls of the show: on one side, the Norwegian string quartet Trondheim Soloists, who together with the horn player Alessio Allegrini performed the original music of Franghiz Ali Zadeh, a Muslim composer of Azeri origin; on the other, Ramzi Aburedwan himself and the Dal'ouna Ensemble, made up of the teachers and students of Al Kamandjati.